Everything you need to know about EQ

The reason we decided for this to be our first blog post, is because we feel that this is the most important aspect of audio. Master these settings and no matter what speakers or microphones you use, you can obtain great mixes live or in the studio. Enjoy!

Eq Settings General:

20 Hz and below - impossible to detect, remove as it only adds unnecessary energy to the total sound, thereby most probably holding down the overall volume of the track
60 Hz and below - sub bass (feel only)
80(-100) Hz - feel AND hear bass

100-120 Hz - the "club sound system punch" resides here
200 Hz and below - bottom
250 Hz - notch filter here can add thump to a kick drum 150-400 Hz - boxiness 200 Hz-1.5 KHz - punch, fatness, impact 800 Hz-4 KHz - edge, clarity, harshness, defines timbre

4500 Hz - extremely tiring to the ears, add a slight notch here
5-7 KHz - de-essing is done here
4-9 KHz - brightness, presence, definition, sibilance, high frequency distortion
6-15 KHz - air and presence
9-15 KHz - adding will give sparkle, shimmer, bring out details - cutting will smooth out harshness and darken the mix


60Hz with a Q of 1.4 -- Add fullness to kicks. 5Khz with a Q of 2.8 -- Ads attack to Kicks Bottom (60 - 80 Hz),
Slap (4 kHz)

EQ>Cut below 80Hz to remove rumble
Boost between 80 -125 Hz for bass
Boost between 3 - 5kHz
To get the slap PROCESSING> Compression 4:1/6:1 slow attack med release. Reverb: Tight room reverb (0.1-0.2ms)


Apply a little cut at 300Hz and some boost between 40Hz and 80Hz Control The Attack: Apply boost or cut around 4KHz to 6KHz. Treat Muddiness: Apply cut somewhere in the 100Hz to 500Hz range. Kick>> bottom depth at 60 - 80 Hz, slap attack at 2.5Hz


100Hz with a Q of 1.0 -- Add fullness to snare
200Hz - 250Hz with a Q of 1.4 -- Ads wood to snares
3Khz with a Q of 1.4 -- Ads attack to snare.
7Khz with a Q of 2.8 -- Adds Sharpness to snares and percussion
at 120-240Hz
Boing at 400Hz
Crispness at 5kHz
Snap at 10kHz
Fatness (240 Hz), crispness (5 kHz) EQ> Boost above 2kHz for that crisp edge

Cut at 1kHz to get rid of the sharp peak
Boost at 125Hz for a full snare sound
Cut at 80Hz to remove rumble
PROCESSING> Compression 4:1 slow attack med release. Reverb: Tight room reverb (0.1- 0.2ms)snare>> fatness at 240HZ, crispness at 5 KHz


Roll off below
60Hz using a High Pass Filter. This range is unlikely to contain anything useful, so you may as well reduce the noise the track contributes to the mix.
Treat Harsh Vocals: To soften vocals apply cut in a narrow bandwidth somewhere in the 2.5KHz to 4KHz range.
Get An Open Sound:
Apply a gentle boost above
6KHz using a shelving filter.
Get Brightness, Not Harshness:
Apply a gentle boost using a wide-band Band pass Filter above
6KHz. Use the
Sweep control to sweep the frequencies to get it right.

Get Smoothness:
Apply some cut in a narrow band in the
1KHz to 2KHz range.
Bring Out The Bass:
Apply some boost in a reasonably narrow band somewhere in the
200Hz to 600Hz
Radio Vocal Effect:
Apply some cut at the High Frequencies, lots of boost about
1.5KHz and lots of cut below 700Hz.
Telephone Effect: Apply lots of compression pre EQ, and a little analogue distortion by turning up the input gain. Apply some cut at the High Frequencies, lots of boost about 1.5KHz and lots of cut below 700Hz.
fullness at 120 Hz, boominess at 200 - 240 Hz, presence at 5 kHz, sibilance at 7.5 - 10 kHz


10Khz with a Q of 1.0 - Ads brightness to hats and cymbals Hi Hat & Cymbals: sizzle (7.5 - 10 kHz), clank (200 Hz) EQ> Boost above 5kHz for sharp sparkle
Cut at
1kHz to remove jangling

PROCESSING> Compression use high ratio for high-energy feel
Reverb: Looser than Bass n Snare allow the hats and especially the Rides to ring a little
Get Definition:
Roll off everything below
600Hz using a High Pass Filter.
Get Sizzle:
Apply boost at
10KHz using a Band Pass Filter.
Adjust the bandwidth to get the sound right.

Treat Clangy Hats:
Apply some cut between
1KHz and 4KHz
Hi Hats/cymbals>> clank or gong sound at 200 Hz, shimmer at 7.5 kHz - 12 kHz


Treat Unclear Vocals:
Apply some cut to the guitar between
1KHz and 5KHz to bring the vocals to the front of the mix.
Apply a little boost between
100Hz and 250Hz and again between 10KHz and12KHz. Acoustic Guitar
Add Sparkle: Try some gentle boost at 10KHz using a Band Pass Filter with a medium bandwidth. General: Try applying some mid-range cut to the rhythm section to make vocals and other instruments more clearly heard.
Other: Voice: presence (
5 kHz), sibilance (7.5 - 10 kHz), boominess (200 - 240 kHz), fullness (120 Hz)
Electric Guitar:
fullness (240 Hz), bite ( 2.5 kHz ), air / sizzle (8 kHz)
Bass Guitar: bottom (
60 - 80 Hz), attack (700 - 1000 Hz), string noise (2.5 kHz)
Toms: attack (
5 kHz), fullness (120 - 240 Hz)
Acoustic Guitar:
harshness / bite ( 2 kHz ), boominess (120 - 200 Hz), cut (7 -10 kHz) Bass - Compressed, EQ'd with a full bottom end and some mids
Rack toms >>
fullness at 240 Hz, attack at 5 kHz
Floor toms> > fullness at 80 - 120 Hz, attack at 5 kHz
Horns >> fullness at 120 - 240 Hz, shrill at 5 - 7.5 kHz
Strings >> fullness at 240 Hz, scratchiness at 7.5 - 10 kHz
Conga/bongo >> resonance at 200 - 240 Hz, slap at 5 kHz

General Frequencies:

EQ Reference: Frequencies 50Hz
Boost: To thicken up bass drums and sub-bass parts.
Cut: Below this frequency on all vocal tracks. This should reduce the effect of any microphone 'pops'.
Boost: For bass lines and bass drums.
Cut: For vocals.
General: Be wary of boosting the bass of too many tracks. Low frequency sounds are particularly vulnerable to phase cancellation between sounds of similar frequency. This can result in a net 'cut of the bass frequencies.

Boost: To add warmth to vocals or to thicken a guitar sound.
Cut: To bring more clarity to vocals or to thin cymbals and higher frequency percussion. Boost or Cut: to control the 'woody' sound of a snare.
Boost: To add warmth to toms.
Boost or Cut: To control bass clarity, or to thicken or thin guitar sounds. General: In can be worthwhile applying cut to some of the instruments in the mix to bring more clarity to the bass within the overall mix.
Boost: To thicken vocal tracks. At 1 KHz apply boost to add a knock to a bassdrum.1-3KHz

Boost: To make a piano more aggressive. Applying boost between 1KHz and 5KHzwill also make guitars and baselines more cutting.
Cut: Apply cut between
2 KHz and 3KHz to smooth a harsh sounding vocal part.


This frequency range is often used to make instruments stand out in a mix. 3-6KHz Boost: For a more 'plucked' sounding bass part. Apply boost at around 6KHz to add some definition to vocal parts and distorted guitars.
Cut: Apply cut at about
3KHz to remove the hard edge of piercing vocals. Apply cut between 5KHZ and 6KHz to dull down some parts in a mix. 6-10KHz
Boost: To sweeten vocals. The higher the frequency you boost the more’ airy/breathy' the result will be. Also boost to add definition to the sound of acoustic guitars or to add edge to synth sounds or strings or to enhance the sound of a variety of percussion sounds. For example boost this range to: Bring out cymbals. Add ring to a snare
Add edge to a bass drum.
Boost: To make vocals more 'airy' or for crisp cymbals and percussion. Also boost this frequency to add sparkle to pads, but only if the frequency is present in the original sound, otherwise you will just be adding hiss to the recording.




Call 770-378-7938 or Email lawerymurray@gmail.com